Last night I went to see scriptwriter Frank Cotrell Boyce at Liverpool’s 3345 club. You may remember him from such scripts as 24 Hour Party People, Code 46, Revengers Tragedy, and Hilary and Jackie.
I think the best thing I learned from it was that you don’t have to be the stereotype of an industry-person in order to be a scriptwriter. Boyce is far less organised than I am, and freely admitted that the script for 24 Hour Party People was never actually finished. He was also nice enough not to get annoyed when I pointed out that the fact that the script was unfinished probably helped the film work.
His advice on scriptwriting and actually getting films made was also interesting. He suggests that the best thing to do is work with people you like and get on with, rather than picking people for technical expertise. As he pointed out, this also means that your script usually ends up less mangled…
The other main point he made was that the “Three-Act Structure” and “Write What You Know”, are both utter, utter, crap. He suggested that the structures of The Godfather and Apocalypse Now are both accumulations of anecdotes, through which the audience pieces together relevance and an overarching storyline by themselves. As for writing what you know: “It’s obvious to me that Shakespeare should have waited to be crowned King of England before writing Richard III”.
All in all, a very good evening.
No comments:
Post a Comment