Friday, August 20, 2004

The Myth Of Fingerprints

Korean film Memories of Murder manages somehow to give a new and interesting take on the hoary police-track-serial-killer genre. The action takes place in a small, rural Korean town where the police are corrupt, incompetent, or both. When a killer begins claiming victims, an upright, methodical big city detective arrives from Seoul. Tensions arise between him and the lead local cop.

So far, so like every other police thriller you’ve ever seen. What sets Memories of Murder apart is its take on investigations: there is doubt here as to whether any methodological framework actually works. Is a fortune- teller better than DNA evidence? Or are both useless fictions which are used to mask a more intuitive form of detection? Equally interesting is the film’s decision to move into black comedy every so often, particularly when dealing with police brutality.

In short, this is a wonderfully atmospheric film, taking you to the apocalyptic Korea of 1987, where schoolchildren are drilled in escaping chemical attacks, and police aren’t available to prevent murders because they’re needed to “suppress demonstrations”. This film comes highly recommended.

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